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There is a third edge in this triangle and that's Jackie Shroff, who started being relagated to supporting roles with films like Rangeela. Koirala, who was at the top of her dramatic power around that time with performances in Bombay and Khamoshi, is credibly intense. Patekar seems to have found a niche in playing creepy, subdued sort of villains, as previously evidenced in Parinda and Angaar, and he does an excellent job here. Not quite on that level here, they still do a very good job as an abusive husband and his runaway wife. Amusingly, that same year saw the release of Khamoshi: The Musical, Sanjay Leela Bhansali's wonderful directorial début where Patekar and Koirala played a father and daughter in two phenomenal performances. The film really rests on the presence of its leads, particularly Nana Patekar and Manisha Koirala.
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Now to the film under review, Agni Sakshi is watchable, very watchable and worthy of a one-time watch though not more than that. Now with all fairness, other than the main concept of battered wives fleeing their abusive husbands (or boyfriends whatever), there isn't much more in common. And each time it was a really poor Hollywood film that inspired them - this time, Sleeping with the Enemy, an inconsequential but watchable film inspired Daraar, Yaarana, and this film. Back in the day it took Hindi filmmakers a few years to grasp there was an American film the story of which could not have been more suited to the Indian screen. So, yet another film about a wife on the run from her abusive husband.
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